South Philadelphia: Keeping Opera Singer’s Music Alive

The Marian Anderson Historical Society is a group dedicated to promoting the late classical singer, who was considered of the most important opera performers of the 20th century. The organization was founded by Blanche Burton-Lyles and has existed for the past 12 years.

Marian Anderson, a contralto who died in 1993 at the age of 96, played with the New York Philharmonic in 1925, and in 1928 performed at Carnegie Hall. She went on to perform into the 1960s when she officially retired from singing.

She was the first African-American woman to perform with the New York Metropolitan Opera and was awarded the U.N. Peace Prize in 1972. Anderson, whose father unloaded trucks at the Reading Terminal, was a native of Philadelphia, making this house an extremely important part of Philadelphian musical history.

Blanche Burton-Lyles was a longtime protege of Anderson. She even says on the historical society’s website  that “Miss Anderson took an interest in my talents at an early age and was always very encouraging.”

The society itself consists of The Marian Anderson Residence Museum at 762 S. Martin St., where Anderson lived for much of her life, and The Marian Anderson Birthplace. Beyond that, the area around these sites has been named the Marian Anderson Village, which proudly boasts flags around the neighborhood. In addition to the birthplace and residence houses, the village contains Marian Anderson’s church, elementary school and a recreational center dedicated to her. The society is working on creating the Marian Anderson Educational Pavilion, which it says is “designed to educate and produce and audio/visual interactive tour of the Marian Anderson Heritage Village.”

Aside from merely promoting Anderson through displaying imagery from her life, the society seeks to spread Anderson’s music throughout the world. The scholars’ program frequently supports young classical and opera singers from around the world. These artists perform regularly at events that the society sponsors, and many have gone on to more prominent positions in places such as the Stattstheater in Stuttgart, Germany, and the Baltimore Symphony Orchestra.

On Feb. 27,  the society will be presenting the Marian Anderson Scholar/Artists Concert, Dinner and Celebrity Ball at The Franklin Institute. According to the society’s website, the event itself will “raise financial resources to advance aspiring young opera and classical vocal artists of great promise.” This event is normally yearly, although last year the society was unable to hold the event.

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